স্যাকরার তাঁতী বাজার - Sakra’s Tanti Bazar
Tahmina Shaily’s walk through the decade at Tanti Bazar
October 10-19, 2024, Dwip Gallery
Sakra’s Tanti Bazar
Tanti Bazar was the place of my jewelry making in the beginning. Moving around the country to see the artisans’ work–getting the expected product after a long exercise with ‘sakras’–lunch of ‘dal-bhat’–‘cha-beguni’, happiness-sadness–together makes the feeling of my jewelry.
Much later through that journey, I discovered that Tanti Bazar is the only place in Dhaka that brings peace in my mind, whenever I have been there. I don’t know how the impression of an overcrowded, noisy, narrow alley expresses its different meaning to me? That is an amazing place with the scent of incense, sandalwood, and agarbattis crafted piles of gold jewelries every day in some small, damp, and dark rooms.
It takes hours, ‘sakras’ etching flowers with small pieces of gold or silver, or adding red and blue enamel to their creations. Seeing the curiosity and excitement in my eyes, Kanti da said with a smile, “After crafting a 20-bhori (a bhori = 11.66 grams) traditional jewelry set, one evening, I found myself without even enough change for bus fare. It’s not that fun as it seems, sister.”
So, what is Sakrar’s Tanti Bazar like?
Do we, in our encounters, overlook many other lives?
Standing in this life, Sakrar’s Tanti Bazar is just a small attempt to glimpse into that other life.
–Tahmina Shaily
Jewelry artist, entrepreneur, and trainer
Sakra’s Tantibazar: Celebrating the Artisans of Dhaka’s Jewelry Heritage
Tantibazar, nestled in the heart of Old Dhaka, has long been a hub for the centuries-old tradition of jewelry craftsmanship. The “Sakra” artisans of Tantibazar have preserved this heritage, imbuing their work with rich cultural narratives and personal stories. The recent exhibition, ‘Sakra’s Tantibazar’, curated by Tahmina Shaily and held at Dhanmondi’s Dwip Gallery, offers a rare glimpse into the lives of these artisans and the challenges they face in a rapidly changing world.
Shedding Light on the Artisans’ Lives
Running until October 19, the exhibition provides visitors with a deeper appreciation for the artisans behind the intricate jewelry. Curator Tahmina Shaily, who has worked with these craftsmen for over a decade, emphasizes that this exhibition is more than just a display of beautiful pieces—it’s a tribute to the artisans’ hard work, resilience, and the heritage they continue to uphold. “This exhibition isn’t just about aesthetics,” Shaily explains. “It’s about recognizing the people behind the craft and the stories they’ve passed down through generations.”
The Sakra artisans work in small, dimly lit workshops, where the scent of molten metal and the rhythmic clink of hammers fill the air, creating an atmosphere steeped in tradition. However, their craft, passed down through generations, now faces the threat of industrialized jewelry production from countries like China, India, and the UAE. The rise of mass production presents a serious challenge to the survival of these artisans.
Veteran jeweler Nazim Ahmed, who attended the exhibition, voiced his concerns about the declining number of artisans in Tantibazar. “Many young people are moving away from this craft,” he said, calling for increased support to preserve this tradition. Nazim’s own journey reflects resilience; after years abroad, he returned to Dhaka to reignite his passion for jewelry-making and continue his family’s legacy.
At the exhibition’s inauguration, bKash CEO Kamal Kadir praised the event, noting, “Jewelry reflects a society’s culture and its socio-economic condition. This exhibition not only highlights the beauty of the jewelry but also sheds light on the struggles and dedication of the artisans behind the scenes.” The event has sparked important conversations about the competition between handmade and machine-made jewelry. United Commercial Bank PLC Vice Chairman Sajjad Hossein emphasized the need for government support to foster skills development and provide meaningful financing for traditional jewelry clusters like Tantibazar.
The Allure of Handmade Jewelry
In today’s world, dominated by mass production, handmade jewelry holds a special appeal. Each piece tells a unique story of history, culture, and personal expression. Sakra artisans are celebrated for their ability to combine traditional jewelry-making techniques—such as filigree work and gemstone setting—with modern design elements. This fusion of old and new allows them to appeal to contemporary tastes while staying deeply rooted in their heritage.
Their creations are more than just adornments; they are cultural symbols that resonate emotionally with their wearers. Tahmina Shaily believes jewelry should be seen as more than a commodity. “We should sell it as a story, not just as a product,” she stresses, underscoring the depth of tradition behind each handcrafted piece. This sentiment was echoed by guest speaker and media personality Ashraf Kaiser, who remarked, “When artisans transform raw materials into jewelry, it becomes more than just an object—it becomes a labor of love.”
Preserving Tradition in a Modern World
The jewelry industry not only preserves a centuries-old tradition but also provides local communities with employment and economic stability. As the world increasingly turns toward automated production systems, Sakra artisans remain at the forefront of the competitive global market. Their work preserves a rich cultural legacy while contributing to the economic growth and cultural prestige of Dhaka.
Despite the challenges posed by mass production, the exhibition showcases the artisans’ innovative spirit. Many are experimenting with new materials and designs to keep their craft relevant in today’s fast-paced world. This adaptability, coupled with their respect for tradition, positions the Sakra artisans for continued success, both locally and internationally.
A Call to Action
Sakra’s Tantibazar serves as a powerful reminder of the need to preserve cultural heritage in a world that often prioritizes speed and mass production. As consumers face an overwhelming array of options—from machine-made, automated jewelry to factory-produced goods—the significance of Dhaka’s Sakra artisans becomes even more profound. Their handmade creations offer something beyond mere aesthetics; they represent a connection to centuries of tradition, craftsmanship, and cultural identity.
When buyers choose handmade jewelry, they are not just purchasing a beautifully crafted item—they are actively supporting a time-honored craft, ensuring that the skills and stories of these artisans continue to thrive in an increasingly industrialized world. This decision is more than just a transaction—it’s an investment in preserving a rich cultural legacy for future generations.
The exhibition has garnered widespread acclaim as a must-see for jewelry connoisseurs, art enthusiasts, and anyone fascinated by the artisanal traditions and urban history of Bangladesh. It also captures the rich tapestry of Old Dhaka, showcasing not only the craft of its famed Sakra artisans but also the region’s vibrant trade, thriving businesses, gourmet culture, and iconic architectural landmarks. Running until October 19, this event invites visitors to explore the intricate beauty of the jewelry industry while paying tribute to the generations of artisans who have infused each piece with their history, dreams, and dedication.